forehead, forehead in Japanese

■ new production

Not only your own calligraphy or paintings, but also your favorite ready-made papers such as hand towels, posters, etc. ・ cloth can be made into a frame.

We can also tailor your favorite paper ・ cloth.

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<img src="https://mukasa-hyouguten.jp/wp-content/u: Hanging Scroll 3

■: Tailoring old works

If you have problems such as stains or scratches on a forehead those has been passed down from generation to generation, please contact us.

<img src="https://mukasa-hyouguten.jp/wp-content/u: Restoration

If you live near our store, please bring your work to us for both new production and ・: Re-tailoring.
If you live near our shop, please bring your work to us and we will let you know whether we can tailor it or not and the details of the work to be done.

If you live far from our shop, please send us an e-mail with pictures of your work,
We will give you a rough estimate. (Please note that the price may change after checking the actual item. Please understand that the price may change after checking the actual work.)
Once you approve the estimate, please send the work to us by courier service. After the work is completed, we will return the work to the address you specify.
After the work is completed, we will return the work to your specified address.
Of course, if you would like to bring in your work in person to consult with us or make a request, please visit our shop,
Please visit our store.

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About maintenance of Japanese frames! Basic knowledge of tailoring Japanese foreheads!

Are you taking good care of your Japanese frames? Many people keep their Japanese frames in the same condition as they are, even though they are planning to re-tailor them. Here, we would like to share with you the basic knowledge about re-tailoring of Japanese foreheads. Please use it as a reference when you re-tailor your Japanese frames.

Basics of frames

Types of frames

Even if you do not have a hanging scroll or a folding screen, you probably have a frame. There are various types of frames.
Currently, the most common type is probably the “Western-style frame,” which is used to display photographs. As the name suggests, Western-style frames are used to display Western-style paintings (oil paintings ・ watercolor paintings ・ drawings).
A “Japanese frame” is used to display Japanese paintings, ink paintings, and calligraphy. Shikishi (colored paper) and tanzaku (paper strips) may also be displayed. A “flat frame,” a long horizontal frame used to decorate a transom, is also a type of Japanese-style frame.
There are other types of frames, such as award and decoration frames.
Each of these comes in a variety of sizes and shapes. Japanese paintings can also be displayed in Western-style frames, or (although not framed) in acrylic panels without a border.

What is the role of framing?

As the name suggests, framing is the process of framing a painting or calligraphy.

The first step in the framing process is to determine which type of frame is best suited for the paper to be displayed, such as a Japanese or Western-style frame. The size of the frame in relation to the paper (the amount of blank space) is also an important factor in making the work look attractive. Sometimes the work is placed in the center with equal margins on the top, bottom, left, and right sides, and sometimes it is shifted to give a different impression.

In the case of Japanese frames, the color and pattern of the matting (cloth) those serves as the back of the work, the decoration around the paper, and the material and paint used for the rim are all important. There are many ways to frame a work.

Framing in this way protects the paper from stains, scratches, folds, and wrinkles, and allows it to be preserved for a long period of time.

Things to keep in mind when managing Japanese frames

Basics of storage

As a basic rule for storage, please note that Japanese frames are susceptible to environmental influences. Remember that even the slightest thing can cause damage to the work.

When displaying your work, choose a location where it will not be exposed to direct sunlight. Ultraviolet rays can cause burning and discoloration on the surface. It is also important to avoid direct exposure to hot or cold air from air conditioners. Sudden changes in humidity can accelerate the deterioration of a work of art. Also, avoid displaying a single work of art continuously. This can also accelerate deterioration over time. No matter how much you love a work of art, it is important to give it a rest by putting it away in a box periodically.

For storage, choose a place those is not exposed to direct sunlight, is well ventilated, and has a constant temperature and humidity as much as possible. The humidity in summer and dryness in winter, in particular, can cause cracks and mold to grow on the work if these conditions are repeated. When storing, do not lay the boxes flat, but stand them upright for better ventilation.

It is also not a good idea to leave them in the closet all year round. In such cases, be sure to take the boxes out of the closet once or twice a year when the weather is fine and the humidity is low to dry them out for insects. When doing so, check every detail for discoloration. If you notice anything unusual about the entire piece, we recommend that you first consult with your local MOUNTING store.

About stains, spots, and scratches

If you find any stains, spots, or scratches on your Japanese forehead, we recommend that you consult a professional mounting store instead of trying to fix it yourself. There are various methods of restoration depending on the adhering material and the degree of penetration. Doing the work yourself may result in a worsening of the condition.

Japanese frames that have become dirty or damaged and can no longer be displayed tend to be disposed of or left in the back of closets or storerooms because they are difficult to repair ・ or expensive to have a professional do so. Stains and stains can be quickly found and are often left in the back of closets or storage rooms. In many cases, the sooner stains and spots are discovered, the easier it is to repair them. First, if you see any of these signs, please contact your nearest mounting store as soon as possible.

Repair ・Restoration can be as time-consuming and labor-intensive as the restoration of cultural properties, or as simple ・and inexpensive as possible. Instead of restoring it as a Japanese-style frame in its original form, it can also be remade by changing the dimensions and the strips used. It is also possible to cut out only the picture or calligraphy part and make it into a hanging scroll, folding screen, or panel. Please do not leave the stains and scratches untreated, but bring them to the mounting store as soon as possible and consider new ways to use them.

Repair ・ restoration is important for posterity!

A newly finished frame may look beautiful and fine at the time, but it will inevitably deteriorate over time as it is displayed. And depending on what kind of Japanese paper or glue is used, there will be a big difference in the changes.
If it is a small scratch, stain, or initial damage, repair ・ repair may be relatively easy. Also, in many cases, older pieces have deteriorated in areas that are not visually apparent.
In the case of works of art ・ that have been passed down in the family for generations and are valuable antiques, it is a very important issue how to maintain the current condition and hand them down to future generations.
If you have such pieces in your home, please contact your nearest mounting store.

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